by Emily Kerski
A look at Matthew Manowski's Abstr/action + Senses i-v: a five-part experimental series combining the explorations of visual and sound artists of all kinds. Read More
by Emily Kerski Read More
Take a dive into Emily's response to Daniel Wyche and Kelley Sheehan's performance at the Option Series hosted by ESS.
by Michael Lewanski
A conversation with Ludwig Abraham on entertainment, genre, and Mocrep's Pants, Pants, Pants. Photo by: Jovana Abraham Read More
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Jesse Langen and Sivan Cohen Elias
Guitarist Jesse Langen sits down with composer and interdisciplinary artist Sivan Cohen Elias to discuss the role of communication, the process of creation, and, of course, many legged monsters.
by Eli Namay Read More
In the last installment of Imploding Signs, Eli shares his zine "On Cultural Struggle: Artistic Militance and the Abolition of Value" to break down how his analysis of symbolic violence functions influence his artistic practices.
by Max Erwin Read More
Max Erwin engages with and responds to Owen Davis' new music development diagram. "The problem with personal goals is that they risk becoming more than personal."
by Owen Davis Read More
There is this quote that I found recently, I tweeted it, but I do not know the author, “…finding ways to find out things that I didn’t know.”
by Mark Mahoney
Mark Mahoney engages with the second annual Civic Orchestra Composers Project. Read More
by Emily Kerski Read More
Reader Submission on ZINC & Wolftone at Slate Arts.
by Luis Fernando Amaya
Luis Fernando Amaya discusses his intentions behind the use of the screen in Tinta Roja, Tinta Negra / Red Ink, Black Ink. Read More
A monthly column about the future, and you. Read More
by Lily Mooney Read More
Can a review be a letter to one's mother? We think so. The Neo-Futurists' Lily Mooney writes to her mom about a pe ri od ic's performance of Tim Parkinson's "Time With People."
by Ellen McSweeney
Reflections on the purpose of concert reviews and the role of music criticism. Read More
by Alejandro T. Acierto
An assessment of political art by its in/ability to embrace the collective experience. Read More
by Joan Arnau Pàmies Read More
A resolute call for a detailed and analytical use of language when writing about music.
An interview with co-curators Nick Meryhew, Alex Grimes, Rebecca Himelstein, Allen Moore, and Adam Shanley about the Comfort Station Logan Square's new experimental music series. Read More
by Michael Lewanski Read More
An insiders perspective on Ensemble Dal Niente's recent project with Enno Poppe, and a reflection on the purpose of art.